Important Explanation to the Inner Sounds
In this book it is often spoken of Shabd or the Sound Current. For a better understanding of the effect and meaning of the Inner Sounds some explaining words are needed.
Sawan Singh explained:
As a matter of principle, the Sound Current – Naam or Word, Shabd – [as It is described in that scripture; Editor’s Note] enters the human body from above, not at any time in another way.
However, for the majority of the people It is firstly audible as coming from the right side, because man is used to listen. In further state when some Spiritual Progress has been made, It will be again realised as coming from above.
Out of a good fortune some people are allowed to listen to the Sound from the right side. – You can experience that Sound at night often even more intensely. Unfortunately mostly they do not know what this experience of the Soul means and probably even believe they were ill.
Kirpal said correspondingly:
Some people hear something and out of ignorance they go to an otologist.
If these people really got themselves into the Sound coming from the right side, they would realise after some time that It is getting louder and clearer and has a raising effect. Nevertheless these people also need – if they want to progress – eventually the Holy Initiation because without it no Inner Progress is possible. Only through initiation one can progress starting at the point which one had reached during his past life.
But there are also sounds coming from the left. These are always negative.
Especially persons who take drugs, are in psychiatry or follow criminal addictions often report that they do not only realise the left sound but even often listen to it consciously. Those who practise yoga as well as people who perform religious or occult rites and practices can report of it, too.
Sounds that come from the left side, lead to the result that lower addictions in man get stronger, when listened to. Sawan Singh reports that in the moment when a man ceases to consciously listen to the Sound Current coming from the right side or from above, he automatically ends in the mind.
A more detailed illustration of this important subject you can find in the following text.
There are many kinds of sounds echoing and re-echoing in the various regions of the creation and may, for convenience, be classified into two categories:
- Sounds proceeding from the left side. These are negative and material sounds and are connected with the respective ingrained seeds of inner passions. The devotee is willy-nilly attracted by these sounds. If one is fascinated by any one of these siren-songs on the left, one may find oneself hurled down into the deepest depths of the abysmal chasms of the passion to which the particular sound relates, for such sounds have a pull that is outward and downward. In such a sad predicament, the labour of years becomes of no avail and odds go against the pilgrim-soul. These are, therefore, to be avoided scrupulously, for they lead one astray from the Spiritual Path.
- Next there are Sounds that proceed from the right side. These are Sounds from the Spiritual Planes and as such are positive in character and purely spiritual with a characteristic pull that is Inward and upward.
These two kinds of sounds are so very similar and so closely resemble each other that one can hardly distinguish between them.
Maulana Rumi, therefore, warns us to be careful in differentiating the right type of sounds. He says:
There are sounds of a lower nature which very much resemble those of the higher, yet they have a downward pull and drag one to one’s doom.
The particular Sounds that have an upward pull are five in number, as stated by the various Saints and may be apprehended through Their Grace and contacted in Their company. Such Sounds carry with them the effect of the Spiritual Planes from which They proceed and in turn produce the same effect on him who comes in contact with Them. They have their own heavenly melodies, the rapturous strains of which depersonalises the soul by freeing it from the chains of mundane life.
Whoever comes near the fire, gets warmth, no matter whether he does so of his own accord or not. So the Holy Naam or the Divine Song, cannot but influence you when you come in contact with It, whether you will it or not and are in time or out of time. The Power of God cannot but influence you, should you get in touch with It.
The outer music has a marvellous effect on all living beings. It shakes of the grievous burden of the oppressive sorrow and unrest under which one incessantly groans and drives away all thoughts. It washes away the dirt of everyday life by its melodious tunes and captivates the soul. It withdraws the mind from the tumultuous hubbub of the objective world. It concentrates the mind, naturally, without having recourse to any fabricated methods. Music, indeed, has ever been the art of Saints.
What passion cannot music raise or quell.John Dryden
How marvellous is the effect of the external music! What then will be the charm of the internal Divine Melody? It has its own inimitable fascination. It is exuberant with the Spiritual Vitality which takes man above all the pains and ills to which the flesh is heir. In times of storm and stress, one may harmonise one’s self with the Internal Tunes and pass off unscathed from the pinching effects of worldly life.
These Spiritual Sounds are aids on the Spiritual Path. A Competent Master, at the time of initiation, gives full instructions on how to differentiate between Them from plane to plane, as well as how to catch hold of Them on the onward march to the Highest Spiritual Realm. Herein then lies the need for a Master-Soul, for He is the inspirer of Hari Naam – the Divine Word, in the depths of one’s soul. Without Him, the Eternal Song ever remains a shrouded mystery with no access thereto. As Music Personified, it is within His competence to manifest It, make It audible and thus lead one to the seat of the Almighty.
A Gurumukh (Saint) can free millions of souls by the quickening influence of His Life-Impulse (the Holy Naam).Guru Arjan, Sorath M5
Source: The text 'Sound differentiated' is an excerpt from the homonymous chapter from the 'Jap Ji' (Second Edition, 1964), edited by Kirpal Singh, 1894–1974.